That
was an interesting evening! Our March book was The Argonauts by Maggie Nelson. Only half of our group made it to the
meeting. I’m wondering if that was because they were so put off by the book
that they didn’t read it and/or didn’t want to discuss it. I‘ll have to ask
them next month. In any case, the six of us who braved reading the entire 143
pages had a great discussion – an XXX-rated one because of the provocative and
sexual content that included topics such as lesbian, gay, bisexual, and transgender
(LGBT) issues; class; personal identity; sex; and pregnancy and parenting.
Harriet Dodge, Fairmont High School, 1968 |
Life with Harry: A Memoir
Maggie Nelson |
Let’s
start with the tamer stuff. This book is ostensibly an
autobiography about a lesbian, the author, and her fluidly gendered partner,
Harry/Harriet. According to the Urban Dictionary, fluidly gendered is defined
as: “a gender identity best described as a dynamic mix of boy and
girl. Being gender fluid has nothing to do with which set of genitalia one has,
nor their sexual orientation.” Nelson movingly describes Harry’s inability to
live in his skin and his practice of painfully binding his breasts, a situation
that is resolved by undergoing a double mastectomy
and taking regular testosterone injections. These extreme
measures allow Harry to partially
transition to male, living as a “butch on testosterone.” This “irresolution is
ok” for Harry, as it should be. The only problem is that his driver’s license
still reads Harriet Dodge, which makes for interesting challenges if he gets pulled
over for speeding or tries to book a plane ticket. Why not legally change your ID
cards and solve the problem?
Harry Dodge, 2014 |
The memoir is actually interesting and thought provoking when Nelson
talks about her relationship with Harry, his young son, and her son who was
conceived through IVF. They shared the experience of undergoing major physical transformations
when she was pregnant and he underwent his surgery. There is a poignant part
at the end of the book where we learn about Harry’s relationship with his
adoptive mother. Rather than feeling a sense of disconnectedness over
being adopted, he felt less bound by gender and able to believe that he had
“come from the whole world.” We felt his grief as he sat with his adoptive mother
while she takes her last breath. Similarly, Nelson rages against the debate that pits femininity and reproduction against sexuality and
queer resistance, suggesting that these conditions should be mutually
exclusive. Ultimately, she gives us a very detailed description of her own pregnancy
experience, sharing her guilt of hoping for a daughter but being
thrilled with the birth of her son.
The Joy of Sex
Alas, two things
overshadow this glimpse into her personal life: her penchant for rough sex and
her need to emphasize her knowledge of esoteric philosophical criticism. The
former is made clear in the very explicit sex scene that opens the book, which is
obviously meant to shock. And just in case she hasn’t made herself clear
enough, she tells us, “If you want to talk about female eroticism, buckle up: “I’m not
interested in a hermeneutics, or an erotics, or a metaphysics, of my anus,” she
writes. “I am interested in ass-fucking.” Overall, it
seems her main intent is to wax poetic about female anal eroticism (her words).
According
to Jenny Turner, of the London Review of Books, Nelson’s emphasis on anal sex
has a political function: it defines the sodomitical mother, the idea that
there is no contradiction between people enjoying “non-normative,
non-procreative sexuality” and loving, caring for, protecting, and enjoying
children. In other words, a woman’s pleasure does not come purely from procreative or reproductive activity;
she demands others to acknowledge that her sexuality far exceeds her biological
function.” Although I agree with her completely that motherhood should not
preclude an interest in sex for pleasure, Nelson wants us to be sure that she
really, really likes ass fucking, that she and Harry share “perversities [that] are not only
compatible but perfectly matched,” and that she is joyous about the stack of
cocks that Harry keeps near his bedside. Thanks for sharing! This hard sell
(pardon the play on words) on the joys of rough sex is cloaked in a theoretical and
philosophical blanket that I believe is an attempt to make it more acceptable
to the rest of the world. That’s fine. If you like nonnromative sex, good for you, but don’t criticize
the rest of as unenlightened because we don’t share your tastes.
Normativity, Patriarchy,
and Misogyny
One of
Nelson’s big obsessions is “the
tired binary that places femininity, reproduction, and normativity on the
one side, and queer resistance on the other... a last, desperate stand against homo- and
heteronormativity.”
Let’s define these terms:
1) heternormativity expresses
heterosexuality as the norm, making it the widely accepted default sexuality;
2) homonormativity suggests that anybody with an LGBT
(homosexual) connection is and acts as if they were homosexual.
Harry Dodge (left), 2002 |
Many of Nelson’s insights into anti-normativity are arrived at
through her experience of pregnancy and motherhood, which brings her into
conflict with the underlying misogyny of anti-procreative rhetoric. After she
becomes pregnant, Nelson wonders if pregnancy itself is inherently
heteronormative. Blogger Sam Huber points out that Nelson hypothesizes that
pregnancy might be an inherently queer experience in the way it reconfigures
one’s relationship to their body. However, much male-authored queer theory either
ignores or condemns procreation and the reproductive body as inherently
heteronormative. A analysis published in the Boston
Review goes so far as to assert that procreation is a more
“ghettoized” topic in art and academia than “ass fucking” or genderqueerness. Nelson’s
goal, according to Blogger
Moira Donegan, is to resist the unhelpful demonization of motherhood,
domesticity, and the other supposedly reactionary forms that love can take. Blogger
Elizabeth Sherman quotes Nelson saying that "the binary
of normative/transgressive is unsustainable, along with the demand that anyone
live a life that's just one thing… that nothing we do in this life need have a
lid crammed on it, that no one set of practices or relations has the monopoly
on the so-called radical or the so-called normative."
Oddly
enough, this is where I find myself agreeing with
Nelson. What she objects to, and rightly so, are the misogynistic and patriarchal
attitudes pervasive in today’s society. Nelson talks about this very thing
in her memoir, pointing out that almost every society emphasizes having
children as the norm to a meaningful life and that there are numerous ways to
punish women if they do not procreate. It’s become
painfully obvious that the radical religious and Republican right would like to
take us back to another time when women remained barefoot, pregnant, and in the
kitchen. Their regressive legislation has succeeded in eroding women’s access
to healthcare, pregnancy prevention, and abortion; they also continue to resist
any advances recognizing the civil rights of the LGBT community. Nelson
might be surprised to learn that some straight women are facing a similar
conflict. Those of us who have not followed the typical
nuclear family model – dad, mom and the kids – remain outliers,
even in the 21st century, despite the gains made as a result of the
women’s and civil rights movements. This means that we too are defying
heternormativity by not procreating.
Fun with Formatting
You
would think that a book of only 143 pages would be easy to get through. You
would be wrong. It was a disconnected mess that bounced
around from
memoir, to queer theory, to existential criticism. According to Jennifer Turner in
the London Review of Books, the text drifts around in time and space through “individual, untitled paragraphs,
some longer, some shorter, some linking, some discrete, diary entries, mini-essays,
some unsent letters.” Christopher Schaberg concurs in his blog: “Sometimes it
feels like the nearly unedited transcripts of a journal, entries jumping around
in time or associatively in ways that make the reader struggle to connect the
dots.” Here’s how I think Nelson put this book together: she jotted notes on
little slips of paper, threw them in a big bowl, pulled out one scrap at a
time, then typed that bit into her “manuscript.” The result is random chaos.
As if this wasn’t confusing enough, Nelson uses an unorthodox
method to cite references. She drops someone’s name into the margin in a tiny
that font is essentially illegible and then usually (but not always) uses italics to suggest that the quotation belongs to the margin
reference. and I both found this tactic annoying and
self-aggrandizing, a way for Nelson to let us know that she went to grad school
and we should be impressed with her academic knowledge. Good for her. The
problem with this is that it’s a sophomoric approach to scholarly writing. It’s
a cheap trick, citing without adequately giving credit to the author. Apparently,
this type of writing is now referred to as life writing instead of. What this style of
writing really represents, with all of the stripped down citations, lack of
context, and absence of paragraph breaks, is a blog or diary that’s been turned
into a book. Another great advance in modern writing.
In Conclusion
While
there are parts that were interesting, it might have
been better, at least to me, if Nelson had spent more time talking about her
relationship with Harry and their children and less time proselyting about anal
sex. Their personal lives are quite absorbing, but the weird format and her overuse of psychology, philosophy,
postmodernism, gender studies, queer and critical theory is annoying. The theoretical babble was mostly incomprehensible and there was way
too much sharing of sexual proclivities. It’s obvious that the author is very impressed
with herself, her education, and her unusual life circumstances. The whole thing feels much
more like an exercise meant to amaze us with her talent for spouting highbrow
theoretical concepts.
Schaberg agreed ; he was frustrated
that The Argonauts “seemed
to be demanding too much homework from lay readers.” That’s an understatement.
Late
in the book, Maggie wonders if writing about her nontraditional family might be
a bad idea. But then she goes on to declare that she has “gained an outsize
faith in articulation itself as its own form of protection.” What a conceit! Unfortunately,
most reviewers agree with her. While Schaberg and Turner did have some negative
things to say about the format, that was the extent of their, or anyone else’s,
criticism of Nelson’s “life writing.” Everyone seems fascinated with her
willingness to flaunt her perversities and to display her rage against
normativity. The gibberish that passes as scholarly
writing these days!
Here’s
my problem with this memoir. This is one of those books that gets praised by
everyone, no matter how bizarre or nonsensical is it is. This publication was
made possible through a Minnesota State Arts Board Operating Support grant; a Wells
Fargo Foundation Minnesota grant; support from Target, the McKnight Foundation,
and the Amazon Literary Partnership; and contributions from numerous other
sources. Do you think anyone at Target read the manuscript before they gave her
money to publish this sexually charged memoir? As I’ve said elsewhere in this
blog, a book should not automatically qualify as a literary masterpiece just
because the topic is controversial or because the author has an unusual background.
I feel like The Argonauts is another case of someone who managed to nab big
money from enthusiastic backers who had no idea what kind of drivel she was
putting on paper.
In the
end, I was left with a feeling that Maggie is so determined to assert herself
as the liberated, sodomitical mother that she comes across as somewhat hostile
and dismissive of heterosexuals. She makes it clear that the “assumption
of heterosexuality can be very harmful to those who do not entirely fit within
its bounds.” While that may be true, she expresses her own opinion about
heterosexuals and who they are: “…you know, people acting like underdogs when really they’re reaping
the benefits of normativity, of being on top of the heap.” She also confesses she is sometimes
embarrassed by heterosexuality and so wary of becoming normative,” that
she targets both
conservative and queer thinkers for focusing on “normative” domesticity and
procreativity. She writes, “I beheld and still behold in anger and agony the
eagerness of the world to throw piles of shit on those of us who want to savage
or simply cannot help but savage the norms that so
desperately need savaging.” Guess what Maggie. While you’re battling the societal imperative that makes it necessary for all women to have
children to achieve their purpose in life, some of us straight women are doing
the same thing. We’re just as fed up with the patriarchal and misogynistic
attitudes as you are
– being told by old white men what we can and cannot do with our own bodies; being
told to have children; being told we can’t make our own reproductive choices. I’m
betting it will piss her off when she realizes that just because she’s queer
and has kids she’s not the only pariah on the block. In fact, having a child
makes her way more heteronormative than childfree women. Take that, Maggie!
I checked Amazon and found that the praise for Maggie was almost
unanimous. It was the #1 best seller in Philosophy criticism, no less. But
there were a few dissenters. Some said they had a hard time following it
because it was “like a really long conversation” and “not much of a story.” There was consensus that
it should have been a textbook on gender studies. Others found
her writing to be “extremely angry and self-pitying” and “extremely egocentric”
and a “solipsistic self-referential piece of junk.” That last is one of my
favorite. As one person put it, Nelson is “an obviously highly self-absorbed
author who only cares about herself and her gender identity and that of her
lover.” But the best review is the most direct: Self-indulgent crap, plain and simple.
Bibliography (Unlike Ms. Nelson, I will give credit where credit is
due.)
§ Sam Huber. Feministing Reads: Maggie
Nelson’s The Argonauts. On Feminizing.
§ Christopher Schaberg. A Book Review That Is Not One: On Maggie Nelson’s The Argonauts. On 3:AM MAGAZINE
§ Elizabeth
Sherman. What is Queer Theory? 10 Things You Didn’t Know that Maggie Nelson’s
‘The Argonauts’ Will School You On. May 12, 2015. On Bustle.
§ Jenny Turner. Like a Manta Ray. In the London Review of Books. Vol. 37 No. 20 · 22 October 2015,
pages 11-14